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Fittingly, the Oratorio Society—for which the Hall was built—produced the first music in the new venue with an open rehearsal in the Recital Hall almost two full months before the official opening.

Although the Hall did not officially open until May 5, —and no performances took place in the big hall—the Recital Hall was host to several concerts throughout the preceding April.

Walter Damrosch's place in New York City music circles and in the realization of Carnegie Hall is reflected in his prime position on the poster for the opening-week festivities. Italo Campanini was a leading Italian tenor of the day who, having made his name in London in the s, had attained a similar level of fame in New York by His invitation to perform on opening night in began a century-long connection between Tchaikovsky and Carnegie Hall, as explained in this video.

This rare and valuable item from Carnegie Hall's Archives—Tchaikovsky's autograph complete with a musical sketch—dates from a week before his opening-night appearance.

Although he signed many, few survive. Carnegie Hall Archives and Rose Museum Director Gino Francesconi provides a fascinating and entertaining insight into the Hall's first opening night, using some of the earliest and rarest artifacts. Tchaikovsky conducted his "Marche Solennelle" at the opening night concert on May 5, Although told the contrary, he was impressed that US audiences were so familiar with his music.

The Birth of Carnegie Hall. Laying the cornerstone, , From the collection of: Carnegie Hall. Dramatis Personae.

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